Belgian Artist- Performance Art, Choreography, Theater, Installation
In the late 1970s, the still very young Jan Fabre caused a furore as a performance artist. His Money performances involved setting fire to bundles of money from the audience in order to make drawings with the ashes. In 1982, the work This is theatre like it was to be expected and foreseen placed a virtual bomb under the seat of the theatre establishment of the day.
This was confirmed two years later with The power of theatrical madness commissioned for the Venice Biennale. Since then, Jan Fabre has grown to become one of the most versatile artists on the international stage. He makes a clean break with the conventions of contemporary theatre by introducing the concept of ‘real-time performance’ – sometimes called ‘living installations’ – and explores radical choreographic possibilities as a means of resurrecting classical dance.Fabre has been writing his own plays since 1975, although it was not until 1989 that they were first performed. His texts form an exceptional collection of miniatures, as it were, with a very open writing style and reflect Fabre’s concept of theatre as an all-encompassing form of art in which dialogue functions alongside other elements such as dance, music, opera, performance and improvisation. Chaos and discipline, repetition and madness, metamorphosis and the anonymous are all indispensible ingredients in Fabre’s theatre.